— review by Krysia Jopek, author of Maps and Shadows
front and back cover — photos by Steven B. Smith, white text added by JC
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Krysia Jopek’s poems have appeared in Columbia Poetry Review, Prairie Schooner, The Wallace Stevens Journal, Phoebe, Murmur, Windhover, and Artists & Influence. She has written reviews of poetry for The American Book Review and a review of literary criticism for The Wallace Stevens Journal. Maps and Shadows, her first novel (Aquila Polonica 2010), won a Silver Benjamin Franklin award in 2011 in the category of Historical Fiction. The Glass House of Forgetting, her second novel (literary fiction), is forthcoming.
As usual with Crisis Chronicles Press founded by its editor, John Burroughs, this hand-produced chapbook is gorgeous as a physical object—comprised of a crisp cover design with original artwork, front and back, a cardstock interleaf with appropriate floating fans, thick ivory paper, and a well-chosen font. Borsenik’s “little” book of “little” poems is told in haiku form in a series that seemingly floats like the Asian fans of the interleaf. With no capital letters aside from proper names nor punctuation between poems, two haiku per page except for the last poem, these postmodern fragments weave a delicate whole. Borsenik welds the typical haiku subject of nature with the urban details of the twenty-first century: “the only cloud / in this perfect sky / nuke plant’s vapor[.]” Like graffiti, these poems write themselves onto the man-made landscape: “origami: backhoes folding, unfolding / atop the debris[.]” The last poem leaves the series in thin air to direct the reader into an ellipsis of the unknown of sorts as well as back to the beginning of the collection to reread: “no guardrail / between us / and the[.]” This chapbook is a pleasure to read over and again.